Brandon Roberts signe la musique du film d'horreur d'Eli Roth avec une partition qui soutient l'action par ses cordes haletantes, agrémentée de dissonances et de surgissements, ainsi que des instants d'accalmie au piano.
[© Texte : Cinezik] •
Tracklist (de la BO en CD ou Digital)
1. The Pilgrim (2:24)
2. Jessica's Theme (2:08)
3. Dinner Thyme (1:14)
4. Red Thursday (4:35)
5. School Chase (3:37)
6. Face Off (2:17)
7. Fowl Play (2:41)
8. Jess Suspicious (2:29)
9. Decapiturkey (2:40)
10. Yulogy (4:20)
11. Dinnner is Served (5:50)
12. Dinner Escape (2:43)
13. Police Talk to Jess (1:57)
14. Surprise on your Face (4:03)
15. There Will Be No Leftovers (3:50)
16. The Leftovers (1:23)
17. All Will Be Carved (1:45)
"Highway in the Wind" - Arlo Guthrie (1967)
"Shooting Star" - Danny O'Keefe/Danny O'Keefe (1977)
"Crunk Ain't Dead" - Patavious Isom/Duke Deuce (2019)
"Joy to the World" - George Frideric Handel, Isaac Watts/John Alldis Choir, London Symphony Orchestra, Sir Colin Davis
"Chills" - Gerry & The Pacemakers/Gerry & The Pacemakers (1963)
"The 'In' Crowd" - B. Page/Mel Taylor And The Magics
"Sacrifice" - Sorcery
"Wizards Council" - Sorcery
"Liberty Bell" - (Instrumental march often associated with 'Monty Python's Flying Circus')
"The House Is Haunted" - Basil G. Adlam, Billy Rose/Denny Dennis, Roy Fox & His Band
"Mozart Divertimento in F Major, K138, I Allegro" - Wolfgang Amadeus Mozart/Triangle String Quartet
"Jingle Bells" - (Traditional Christmas music)
"Oh Shit" - The Pharcyde (1992)
"Deck the Halls" - (Traditional Christmas music)
"Bury the Hatchet" - Chuck and Chuckles/Chuck and Chuckles
"I Know What Boys Like" - The Waitresses (1982)
"Three Lock Box" - Sammy Hagar (1982)
"The Tsar's Bride: Act IV: Ivan Sergeyevich" - Nikolai Rimsky-Korsakov/Dinara Alieva, Russian State Symphony Orchestra, Dmitry Yablonsky
"The Bats Are Flying" - Sorcery
"Where Eagles Dare" - Glenn Danzig/The Misfits (1979)
Calendrier des Films & Séries
Interview B.O : Jean Musy fait de la résistance
Interview B.O : Éric Toledano & Olivier Nakache, le sens de la musique
Interview B.O : Eloi Ragot, du thriller au burlesque en pleine forêt (JOUR DE MERDE de Kevin T. Landry)
